ELOQUENT LINES: EXPLORING NASRID CALLIGRAPHY FROM YUSUF I TO MUHAMMAD V

Abstract

This thesis contends that there was a shift in style relating to the calligraphic decoration of monumental architecture during the Nasrid dynasty between the reigns of Yusuf I and Muhammad V. In combination, these two rulers are credited with presiding over the highest achievements of Nasrid art and architecture, with less attention to what distinguishes the specific styles employed during each era. A more precise understanding of the nature of the artistic development of the entire period has been sought. This entailed research of a wide variety of texts, visits to the Alhambra palace complex and other monuments in the city of Granada, and analysis of a sample of case studies. Numerous texts provided valuable information regarding the historical context as well as aesthetic considerations. Ultimately, it was found that although there was a strong element of continuity between the reigns of each ruler, there was a shift in style from a defensive rigid adherence to religious symbolism towards a more expressive dynamic aesthetic.

Date of Award	2024
Original language	American English
Awarding Institution	HBKU College of Islamic Studies